This article tells you the learning stages of Kuchipudi. India has a rich heritage of music and dance in its masterful form. And also, much of the temple art, sculptures, theatre, folklore, folk art, street music. Additionally, even classical practices at home align with music and verification of celestial dance.
The most visible iconic depiction of what the great Lord was all about even God danced and the dancing God Shiva in Nataraja form. Celestial dance is the greatest mental and physical liberator. Additionally, the rhythmic swinging of lithe and sensual bodies to tuneful. And also, sometimes strong greater-pitch music would bring not only the dancers but even the viewers into a world of ecstasy from which it will be hard to return.
- Aramandi: Firstly, it refers to a fundamental position of Kuchipudi in which the knees have bent half diamonds in Sujtavam.
- Soushtavam: executing dance posture. Lower corps is straight to the back of the shoulders.
- Pada Bheda: refers to the various stances of the knees.
- Asamyuta and Hastas Samyuta: The Unique and double hand gestures which show different visually, the words, and the stories.
- Adugu (Adugulu): basic unit for dance in Kuchipudi.
- Vaishnava Sthanaka: Typical position in the turn out classical.
- Tala and Laya: beats to a timely rhythm through embodying Love.
Additionally, it’s seen traditionally as a dance drama, with many performers taking on various roles. The themes are often taken from the scriptures and myths, and a key feature of this dance style is the representation of certain characters. One example is Satyabhama, Lord Krishna ‘s colorful second consort. Kuchipudi’s other special characteristic is the Tarangam. And also, where the artist dances on the edges of a brass plate, performing complex rhythm patterns with elan.
Unlike most other types of art Kuchipudi performed in both formal and informal ways. While Our Sacred Space and individual dance teachers conduct their classes from basic to highly advanced.